The Pritzker Architecture Prize announces Riken Yamamoto, of Yokohama, Japan, as the 2024 Laureate of the Pritzker Architecture Prize, the award that is regarded internationally as architecture’s highest honor.
Yamamoto, architect and social advocate, establishes kinship between public and private realms, inspiring harmonious societies despite a diversity of identities, economies, politics, infrastructures, and housing systems. Deeply embedded in upholding community life, he asserts that the value of privacy has become an urban sensibility, when in fact, members of a community should sustain one another. He defines community as a “sense of sharing one space,” deconstructing traditional notions of freedom and privacy while rejecting long standing conditions that have reduced housing into a commodity without relation to neighbors. Instead, he bridges cultures, histories and multi-generational citizens, with sensitivity, by adapting international influence and modernist architecture to the needs of the future, allowing life to thrive.
“For me, to recognize space, is to recognize an entire community. The current architectural approach emphasizes privacy, negating the necessity of societal relationships. However, we can still honor the freedom of each individual while living together in architectural space as a republic, fostering harmony across cultures and phases of life.”
(Riken Yamamoto )
The 2024 Jury Citation states, in part, that he was selected “for creating awareness in the community in what is the responsibility of the social demand, for questioning the discipline of architecture to calibrate each individual architectural response, and above all for reminding us that in architecture, as in democracy, spaces must be created by the resolve of the people…”
By reconsidering boundaries as a space, he activates the threshold between public and private lives, achieving social value with every project, as each abounds with places for engagement and chance encounters. Small- and large-scale built works alike demonstrate masterly qualities of the spaces themselves, providing focus on the life that each one frames. Transparency is utilized so that those from within may experience the environment that lies beyond, while those passing by may feel a sense of belonging. He offers a consistent continuity of landscape, designing in discourse to the preexisting natural and built environments to contextualize the experience of each building.
Riken Yamamoto deliberately engages with the widest range of building types as well as scales in the projects he chooses. Whether he designs private houses or public infrastructure, schools or fire stations, city halls or museums, the common and convivial dimension is always present. His constant, careful and substantial attention to community has generated public interworking space systems that incentivize people to convene in different ways. The entire building space of the Saitama Prefectural University (1999), for instance, is conceived as a community.
He has evolved influences from traditional Japanese machiya and Greek oikos housing that existed in relation to cities, when connectivity and commerce were essential to the vitality of every family. He designed his own home, GAZEBO (Yokohama, Japan 1986) to invoke interaction with neighbors from terraces and rooftops. Ishii House (Kawasaki, Japan 1978), built for two artists, features a pavilion-like room that extends outdoors and serves as a stage to host performances, while living quarters are embedded beneath.
“Yamamoto develops a new architectural language that doesn’t merely create spaces for families to live, but creates communities for families to live together. His works are always connected to society, cultivating a generosity in spirit and honoring the human moment.”
(Tom Pritzker, Chair of the Hyatt Foundation)
Riken Yamamoto is not an architecture historian, yet he learns from the past as well as from different cultures. As an architect, he does not copy from the past, rather he adapts, re-uses and evolves, showing that fundamentals persist in their relevance. Yamamoto has expanded the toolbox of the profession towards both the past and the future to be able to give each time, in very different modes and at very different scales, the most pertinent response to the challenges of both the built environment and of collective living.
This article has been published with the Pritzker website media kit for the announcement of 2024 Pritzker Architecture Prize.
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