Excerpt: ‘Sonali Asha – Bangabandhu Jute and Textile Museum’ is an architecture thesis by Esrat Jahan Onty from Department of Architecture – BRAC University, that seeks to preserve as well as connect today’s people with the history of jute culture of Bangladesh in a contemporary and innovative way. The purpose of this project is to create a space where jute, the Golden fibre from bygone eras, can be preserved, serve as a symbol of national tradition, and encourage the new generation to cherish the culture. The proposal also intends to provide weavers with a stable platform where they can showcase their skills and make a living.
Introduction: The deltaic landscape that Bangladesh’s major rivers and their tributaries formed has had an impact on the country’s socioeconomic and cultural existence. It has had an effect on the jute and textile sectors over time. Jute is referred to as the “Golden Fibre” of Bangladesh. It serves as a primary cash crop for almost three million small farm households. Not to add that Bangladesh, the world’s top exporter, accounts for 70% of all raw jute exports.
Yearly Jute Production in Top Ten Countries
The traditional jute and textile industries provide for a diverse community. Jute and textile production in Bangladesh has a long history, but due to poor maintenance, insufficient exposure, and general carelessness, it is gradually vanishing. The artisans who worked with jute and textiles benefited from aristocratic patronage and acquired more sophisticated skills, which they often passed down through the generations.
Major Products of Jute
However, during the past several years, its identity has significantly changed due to its poor economic return and the fact that the majority of the people connected with it are from rural areas of the country, who are migrating to urban areas. The aforementioned factors prompted the need for this project. The purpose of this project is to create a space where jute, the Golden fibre from bygone eras, can be preserved, serve as a symbol of national tradition, and encourage the new generation to cherish the culture and those who have lost their connection to it.
Detailed Site Surrounding (Source: Google Maps)Accessibility and Connectivity
The location and its surroundings are crucial to the design process since they draw attention to the neighbourhood and the natural surroundings. This 8.5-acre government-selected land next to Demraghat Road is located in Tarabo’s Narayanganj district and intends to recover the history and legacy of jute. The location, which is identified by the coordinates 23°43’18.7″N latitude and 90°30’08.2″E longitude, is surrounded by a diverse mix of structures, including commercial and industrial buildings, places of worship, schools, and local neighbourhoods.
Land Use PatternLand Use Pattern in Site Within 500-Meter Radius
This developing region is home to government and non-governmental organisations, bazaars, police stations, schools, transportation hubs, and mosques. It is characterised by industrial, commercial, and residential structures. The land use pattern indicates 60% industrial, 15% commercial, 10% residential, 11% mixed-use, and 4% educational buildings, occupying the area’s various uses. Gas, water, and other necessities like power are all easily accessible here.
Existing Vegetation and Waterbodies Surrounding the Site Within 500-Meter RadiusSouth Side of The Site Which Is Mostly An Agricultural Matrix With Open SpaceSultana Kamal Bridge Connected with Tarabo from Demraghat Road
However, because of the location’s close proximity to the congested Dhaka-Sylhet Highway, the Tarabo Basin experiences loud noises and heavy traffic. A distinct lowland subject to monsoon floods surrounds the location, along with tiny ponds, grasslands, and agricultural land. Historical water transport connections are preserved by the Shitalakshya River’s presence to the west.
Design Process
Program AnalysisConceptual Section
The proposed project has enormous potential considering Tarabo is predominantly an industrial zone with a population that earns between lower and lower-middle-class incomes. The project aims to advance the jute industry by helping weavers and providing amenities including a multipurpose hall, cafeteria, office, research and training facility, workshop, accommodations for weavers, a display and sales centre, and guest lodging.
Rotational Farming Process for Alternative Crops like Rice, Potato, or other Vegetation
In order to promote sustainable growth, jute production in rotational farming can coexist with other crops like potatoes and rice. The Sustainable Development Goals (SDGs) can be supported by jute farming, which can also result in golden fibres that can be used to make a variety of jute-based products.
Zoning Interactive Spaces
With a view to create a journey across the agricultural environment, a key exploration in the design process was to seamlessly integrate cultivating areas and paths. In the project, sloping roofs—which also facilitate cross-ventilation—have been investigated as a way to lessen the region’s tropical environment and investigate sectional linkages.
Conceptual Sketches
The design process also explored ways to offer visitors a distinctive and immersive experience while aiding in sustainable revival of jute culture. To conserve the history, culture, and livelihoods connected to jute, the project reflects a holistic approach. The seamless functioning and overall experience of the space are improved by functional integration within the museum complex.
Final Outcome
Ground Floor at ± 0 Feet and Plan at – 10 Feet Level
The “Sonali Asha – Bangabandhu Jute and Textile Museum” in Tarabo, Narayanganj, was designed with a strong commitment to preserving and presenting the history of jute culture in a contemporary and innovative way. The main goal is to provide weavers with a stable platform where they can showcase their skills and make a living. The design includes various key elements in order to accomplish this.
Section AAView from Museum Entrance
The museum has areas for exhibits that highlight the rich history of jute culture. These exhibits provide visitors with a thorough and immersive understanding of the history, processes, potential, and products of the jute industry. The design includes areas that allow the local weavers to display their skills as well as generate income as part of a larger goal to support them. This ensures that the museum will contribute significantly to the local economy.
View from Sunken Plaza
The inclusion of a green courtyard enables guests to take in the glory of jute in a natural and cultural setting. This outdoor area skillfully combines the natural beauty and jute’s historical value. The proposal dedicates spaces for jute research and cultural events, highlighting the significance of the agricultural components of jute culture. This encourages the sustainability of jute culture while also educating visitors.
View from Food Court Beside Water CurtainExperience Pathway from Jute Culture
In order to preserve this vital element of jute culture and legacy, the design also honours the importance that water bodies have in the jute trade sector. The design addresses the limited access points and disjointed roadways to improve accessibility, making it simple for weavers and visitors to get to the museum. Additionally, the site’s topography has been improved to encourage effective connectivity.
Sectional Model image
Conclusion: “Sonali Asha” is an architecture thesis that celebrates Bangladesh’s history and Jute, referred to as the “Golden Fibre” of Bangladesh. The project seeks to promote Jute products and cultivation viability as a local heritage by the design infrastructure. On the contrary, in the long term the project intends to connect today’s people with the glorious past of Bengal’s jute culture.
[This Academic Project has been published with text submitted by the student]
Site Context
Design Process
Final Outcome
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