Patraaga | LiDha- Living in Dharti

Save
Patraaga | LiDha- Living in Dharti

Information

  • Gross Built up Area: 2800 sq. ft
  • Project Location: Uttarkashi
  • Country: India
  • Lead Architects/Designer: Ar. Gayatri Maithani
  • Design Team: Ar. Gayatri Maithani
  • Clients: IDS
More Info Less Info

Excerpt: Patraaga by LiDha- Living in Dharti is an architecture project that pays tribute to the vernacular architecture of the Uttarakhand region and its sustainable attributes. The building is designed to rest like a leaf atop the mountain ranges. The design approach prioritized ‘form follows function’, focusing on optimal views and landform compatibility. The structure’s sit-out offers 180° views and ample sunlight, facilitating the integration of the outside.

Project Description

Patraaga | LiDha- Living in Dharti
Rear View of Patraaga © LiDha- Living in Dharti

[Text as submitted by architect] The Patraaga- A Training Center is designed to rest like a leaf atop the mountain ranges, in the rural Himalayan region. Patraaga is a tribute to the vernacular architecture of the Uttarakhand region and its various sustainable attributes.

Patraaga | LiDha- Living in Dharti
Feature © LiDha- Living in Dharti
Patraaga | LiDha- Living in Dharti
Entrance Foyer – Close Up © LiDha- Living in Dharti

Patraaga is an initiative that aims to provide an avenue to inspire, educate and hone the young minds of rural girls by training interested women to teach them. The brief was to design a multi-functional space with the primary motive of a training center where approximately 50 teachers would be invited quarterly and be trained. The space was also equipped to be used as a conference hall, restaurant or a gathering space.

Patraaga | LiDha- Living in Dharti
Site Plan © LiDha- Living in Dharti
Patraaga | LiDha- Living in Dharti
© LiDha- Living in Dharti
Patraaga | LiDha- Living in Dharti
View of Patraaga from the Road © LiDha- Living in Dharti

The design approach was led by ‘form follows function’. Thus, the shape was derived from the organic process of fulfilling all necessary functions and designing with the landform. Optimal views were a major motive of this design and hence, the form of the structure was derived to achieve the same. The sit-out spanning one side of the structure offers 180° views that also lets in ample sunlight. The design facilitates the notion of bringing the outside in.

Patraaga | LiDha- Living in Dharti
South East view © LiDha- Living in Dharti
Patraaga | LiDha- Living in Dharti
Entrance Foyer – View © LiDha- Living in Dharti

The bay windows offering glimpses of the Kedarkantha are inspired by the tibaris found in the vernacular architectural style of Uttarakhand. The tibari are a series of three openings that can be observed in the traditional houses of Uttarakhand villages.

Another major motive of this design was to provide a space for residents to stay during the night owing to the remote location of the Center. The duplex mezzanine portrays a substantially large space in order to break the idea of the traditional comprehension of spaces. The mezzanine level is equipped with the provision of bunk beds for occupants staying there. 

Patraaga | LiDha- Living in Dharti
Interior view from Mezzanine © LiDha- Living in Dharti
Patraaga | LiDha- Living in Dharti
Section © LiDha- Living in Dharti
Patraaga | LiDha- Living in Dharti
North West View © LiDha- Living in Dharti

The danger of wild animals lurking around has caused this design to be made with all basic needs met without stepping outside. Toilets are provided with access from inside to be used at night as well as some that have access from outside which can be used during the day.

Patraaga | LiDha- Living in Dharti
Surrounding Context of Patraaga © LiDha- Living in Dharti
Patraaga | LiDha- Living in Dharti
Interior view from multipurpose hall © LiDha- Living in Dharti

An office space with pivoting windows looks out onto the main hall which facilitates supervision as well as privacy for office requirements. A kitchen is also provided attached to a wash area with separate dry and wet areas. 

The deodar cedar, native to the Himalayas, also known as deodar locally, translates from Sanskrit as “the timber of the Gods” and as such, it is widely used in the structure in various elements like beams, columns, trusses, etc.

Patraaga | LiDha- Living in Dharti
Rear end View © LiDha- Living in Dharti

The roof is in two levels with ventilators in between the levels which helps to tackle the wind load in mountainous regions. It also provides ample light and sun at multiple levels while also keeping the wind out, which is beneficial in the colder climate. The organically derived leaf shape of the roof also lends to the fact that the structure acts like a leaf soaking in the goodness of the sunlight.

Leave a Reply